5,255 Royalty-Free Audio Tracks for "Distorted Drum"

Just playing with the alesis vortex keytar i got at a garage sale for practically nuttin'. The guitar synth is revitar. And i ran it through amplitude. Timings a off and it sound fake. Okay if the sound you're going for is a drunk robot, i got you covered. Actually, i think a keytar and a good guitar synth would actually be pretty sweet. Best garage sale find ever. Better than that time i got all those pedals.

First test recording smashing bottles, mic levels were too high and it peaked. It sounded neat with the distortion so i thought i'd share. It's unedited, so you can hear people moving and laughing before and after the smash.

A simple 440 hz tone (sine) created in audacity. Or at least that's what it's supposed to be. . . For some reason, when i uploaded it, it sounded all distorted.

Why does everything i upload sound like people screaming and/or chainsaws!?. Sound source is a contact mic producing feedback into various fx. The main fx used for the clip are a sirkut electronics gnarler, boss metal zone, dod grunge, and finally, a danelectro french fries auto wah. Recorded direct-to-sound card as usual. This is a sample taken from a longer piece.

This is a short sample from a noise track i just completed. It sounds a lot like someone screaming/roaring into a microphone, but it's actually a roland juno-6 played through various fx pedals (boss metal zone, boss xtortion, boss me-30 on ring mod setting, danelectro fish & chips, and a sprinkling of various other fx pedals throughout the recording). Recorded direct to sound card.

This synth , is very good to put on a bassline of 180 bpmmostly used for hardcore electronic music like gabber.

This melodie - loop is hard and distorted , u can use this one in gabber music or hardtechno tracks !!.

Group kmm-the start-up of a dorm air-conditioner. Recorded directly on axis, low gain, pointed directly at vent. Recorded with a zoom h4 handheld recorder. Normalized in peak pro 6.

Group kmm-recording of an air-conditioner starting up. Faint leaves and ambient sounds can be heard in the background. Recorded with a zoom h4 handheld recorder. Normalized in peak pro 6.

The sound of the scottish highlands, in a valley after a strong rainy night. The water you can here is the collection of all the tiny streams running into the valley. Also saw some wild dear running across the other side. Used here originally: https://soundcloud. Com/evil-ear/great-britain. Enjoy and sorry about that noise floor. Evil ear.

Opening riff to johnny b. Goode by chuck barry. Recorded in studio one. Amplifier plugin - drive british.

Little slice of heavy dnb "music", using a few drumloops i uploaded earlier. Totally overprocessed and stressful. . . But. . . Somehow i like it.

Mild distortion tone, changing from c to d with a big bend for the end.

Electric guitar, mid gain, standard style of rock riff, good for a beginning, break or outro.

Electric guitar, heavy gain. Faster style riff with a change to a hitting slow style break. Sorta punkish in a way.

Sorta fuzzy and spacey, kind of fast at first but with tons of noise at the end.

Blues style riff, plenty of delay and reverb. Slight distortion, sorta choppy with some snap like breaks in the riff. Bit messy at times.

Some hints of distortion. Some sloppy playing around doing some pull offs. Can probably add some extra delay or even reverse the track to get a weird playback. The name says it all, sloppy.

Simply blues style riff, almost heavy distortion but it pulls back enough to not call it heavy. Some garage rock, independent style of blues you might call it. Some difference variations are throughout the piece.

I haven't the faintest idea. I think i broke it.

Made with image-line sakura.

A highly processed fx loop made from a freesound of bolts in a toolbox processed with reverb and distortion. I will update the description when i find the original sample name and author.

A kick drum produced for moody trance project. Production process: sound generated from kick synth; signal splitted in two bands; high band signal filtered, distorted and panned (this gives nice roughness and makes kick sound pretty good with center panned bassline); low band signal equalized with some re-verb; both bands mixed back together.

Drumbeats in a military style.

Electronic drum loop.

Deep 808 style sine kick with added transient, lightly compressed.

Drumset was recorded on one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drums were recorded with one room microphone for a roomy sound.

Drumset was recorded on one room microphone for a roomy sound.

Drums were recorded with one room microphone for a roomy sound.

Drums were recorded with one room microphone for a roomy sound.

Drums were recorded with one room microphone for a roomy sound.

Drums were recorded with one room microphone for a roomy sound.

Excerpt from a soundcheck. Crashes to choose from.

Excerpt from a soundcheck. Hats to choose from.

A light, syncopated snare fill.

A long roll on the ride cymbal.

Excerpt from a soundcheck. Snare hits to choose from. Top mic.

Excerpt from a soundcheck. Ride sounds to choose from.

Excerpt from a soundcheck. Snare hits to choose from. Bottom mic.

Excerpt from a soundcheck. Toms. Variation 2.

Excerpt from a soundcheck. Toms. Variation 1.

Drumset was recorded on one room microphone for a roomy sound.